CINEMATIC
LANDSCAPE
EXCHANGE
Title: Between Arrival and Departure
Name: Agnese Pazzi
Voiceover: Nina Witteveen
Sound: Various
Land Plot 33, that is how it’s scored on the map.
This land which, victim of drawn impositions, devoid of any true purpose, testifies, and violently. Left to the corrode neath the passing of time, the soil, and everything sitting upon it, merely suggest antecedent tenure.
It leaves no other question than: How can it ask to be reclaimed?
Residual spaces, places, belongings. Every point now, seemingly, is the same as any other. An irregularly placed point on the map, may suggest some to say: ‘My house will be there for three days, two months or ten years. And we’ll set off that way, without provisions carrying only objects we are fond of.’ The journey can be long or short. In any case, it will be a constant migration with the actions of living at every point along the ideal line between departure and arrival.
Marked are some solitary spaces that are opened, nonetheless, to be inhabited; intimate spaces, in some instances, and remotely somber, in others. They suggest modest spaces for introspection or realms for waiting, but always orderly worlds.
Name: Agnese Pazzi
Voiceover: Nina Witteveen
Sound: Various
Land Plot 33, that is how it’s scored on the map.
This land which, victim of drawn impositions, devoid of any true purpose, testifies, and violently. Left to the corrode neath the passing of time, the soil, and everything sitting upon it, merely suggest antecedent tenure.
It leaves no other question than: How can it ask to be reclaimed?
Residual spaces, places, belongings. Every point now, seemingly, is the same as any other. An irregularly placed point on the map, may suggest some to say: ‘My house will be there for three days, two months or ten years. And we’ll set off that way, without provisions carrying only objects we are fond of.’ The journey can be long or short. In any case, it will be a constant migration with the actions of living at every point along the ideal line between departure and arrival.
Marked are some solitary spaces that are opened, nonetheless, to be inhabited; intimate spaces, in some instances, and remotely somber, in others. They suggest modest spaces for introspection or realms for waiting, but always orderly worlds.
